KHODYACHIKH TATIANA, Bicchierino in ceramica decorato e riparazione kintsugi (lacca urushi nera e colorata), produzione 1925-1945 circa vasi but also those nearby whom

but also those nearby whom we do not see and remain invisible to our eyes

Notable is the grace with which Hokusai represents the garments

Conservazione buona

with typographic titles

Romero Britto (Recife 1963)

KHODYACHIKH TATIANA, Bicchierino in ceramica decorato e riparazione kintsugi (lacca urushi nera e colorata), produzione 1925-1945 circa vasi but also those nearby whomHandcrafted cup turned on a lathe and coated with a light glaze, intermittently marked by an irregular craquel. The lines are painted with a brush while rotating the piece on the lathe: a simple decoration typical of everyday Japanese folk ceramics. The fractures, clearly visible even on the inside, have been repaired with black urushi lacquer; the missing fragment has been reconstructed in lacquer and repainted with colored urushi, echoing the lines