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mounted to a pure recycled copper plate
it exposes the precarious balance between preservation and loss
The original work is photographed underwater with a single unique giclée print made from the original 8x10 inch film plate
0106’ dated 2017
'carbon black Jesus with wings’ dated 2011
Aesthetic interpretations of gravitational wave theory hand mounted to a pure recycledThis body of work explores the visible expression of wave phenomena through water, light, and analogue photographic processes. Drawing from scientific principles underlying resonance, vibration, and interference, these images are created in the studio as physical experiments in which liquid becomes both subject and medium. The works reference the broader scientific context of wave theory and gravitational research, translating abstract forces into
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